Non Research Paper Example | Topics and Well Written Essays - 1000 words

Non - Research Paper ExampleMurals are regarded s the earliest art forms as illustrated by counteract paintings of hunting scenes by cave men and those gear up in Egyptian and Mayan pyramids. Murals spate be reachd using material as witnessed in paintings on cave walls that may have used plant extracts, animal oil to modern synthetic oil or water based paints and pigments. Murals butt also be create through the incorporation of other fine techniques including collage and mosaic where these are embossed onto a wall or permanent surface to create one whole image or representation. This paper seeks to discuss mural art by Ta-Coumba Arken by analysing and offering detailed description of one of his work titled potash alum Hungi-I 1991. Ta-Coumba Aiken is a renowned populace works art painter whose base of operations is located in Minnesota. Some of his notable works of art in the city include the Jax/Gillette Childrens Hospital mural, the north sides navigate City murals project and the Minneapolis Central Library tile fireplace (Millet 110). A trademark characteristic of Ta-Coumbas artistic production is the resulting variety of contrasting colors and tone that gives his works of art an eye-catching property. This is his style and emplacement that is incorporated into his murals, which he starts creating from a white and black outline inwards giving the outline figures summation or substance. The outlines set the ground for his process of shape building and coloration, which he describes as spirit opus. Murals created by Ta-Coumba are characterized by the usage of repeating rhythm patterns through imagery as rhetorical devise of packing out the resultant artistic effect of his art. The artist attributes the fanaticism behind his artwork to African masks and jump whose aspects, quality and substance he tries to replicate and bring to life in his paintings. The Alum Hungi-I 1991 by Ta-Coumba is a canvas painting illustrating 9 African or dark skinne d figures mingled in various stages activity ranging from drum and flute playing, fishing, spear throwing and dance. This is consistent with Ta-Cuombas line of inspiration that comes from African dance and music. The outline of the painting is made out of a black background to come across the maximum degree of contrast that is also characteristic with Ta-Coumbas work. The use of color is unlimited, and the level of twist in the figures is accentuated by the rhythm that seems to come from the various poses of the figures in the painting. A notable aspect nearly the painting is the use of a black outline for each shape a quality that can also be seen in the frame that holds the artwork. Each figure in the artwork is made-up of more(prenominal) than one color a style that gives the painting a warm contrast and rhythm, which works to bring out the theme of the painting. The use of a range of bright colors makes the art work very eye catching. The use of color the blue is used in v arious shades and intensities, an aspect that can be construed to represent the artists perspective on happiness and joy. The theme of music and dance is brought by the depiction of drums and dancing figures playing the musical instruments. The use of more than one color in the background makes the painting look abstract and distracting to the viewer, which adds to eye-catching quality. The empty spaces in the painting